Thursday, April 19, 2012

IT News Head Lines (Techradar) 4/19/2012

Techradar



Oakley's smart glasses could match Google's Project Glass
Oakley's smart glasses could match Google's Project Glass
Google's Project Glass augmented reality facewear is an exciting technological development, but the futuristic glasses aren't about to be featured in any fashion shows.
Maybe that's why Oakley CEO Colin Baden has chosen to now reveal that the designer sunglasses company has been working on similar technology for some time.
"As an organization, we've been chasing this beast since 1997," Baden said in a published report. "Ultimately, everything happens through your eyes, and the closer we can bring it to your eyes, the quicker the consumer is going to adopt the platform."

Oakley's Plans and patents

Oakley would initially focus on creating heads-up displays for athletes, and from there the technology could be used for military and government purposes as well.
"Obviously, you can think of many applications in the competitive field of sports," Baden said. "That's the halo point of where we would begin, but certainly you can transcend that into a variety of other applications."
Their version of the glasses would function both in tandem with a smartphone and independently. They wouldn't be cheap, but advanced features like voice commands (à la the iPhone 4S's Siri) are a possibility.

Google Glass a familiar sight

Oakley's hasn't exactly shied away from tech glasses in the past. Google's Project Glass has been tentatively compared to Oakley's Thump mp3-compatible sunglasses, and their O ROKR PROs use bluetooth to integrate with music players.
They've also released stylish 3D glasses to offset that sinking feeling moviegoers get from wearing a piece of cardboard on their faces.
And a patent filed by Oakley late last year reveals plans for a "wearable high resolution audio visual interface," and that's only one of 600 patents the company has.
Baden refused to say either way whether these hypotheticals will ever come to fruition, but he did mention that he believes Oakley has one important advantage over Google and other tech companies: style.
Via TechCrunch, 3DRadar.com, Bloomberg





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Apple prototypes mini Apple stores within Walmarts
Apple prototypes mini Apple stores within Walmarts
Photographs have surfaced of an Apple store - inside a Walmart - in Arkansas. The pristine display brings Apple's iconic wood counters and product demo units to the notoriously drab Walmart electronics department.
Apple's in-store design has long been a pride point, which glistens like a brushed metal oasis in shopping malls around America. No surprise Apple stores are continuously bustling with teenagers testing out their Facebook pages on Apple's newest Macbook Airs, and parents asking which "iTouch" to buy their children.
Now Walmart wants a part of the frenzy.
Apple Store
Not unlike an Iron Chef in the corner of a McDonalds.
Authorized Apple resellers like Best Buy and Walmart sell their fair share of Apple products, but up until now have typically adopted a strictly utilitarian aesthetic.
Apple Store
But if new pictures of an Apple-section from Arkansas is any indication, Walmart might be on the verge of cleaning up their Apple displays, sooner rather than later.
Apple Store
The store in question is prototyping a new Apple-centric layout. Whether this superior layout will make its way to more stores in the US is yet to be seen, though we have heard this design is nothing new for Australians.
What do you think of the new Apple-centered space - an improvement or a waste of space?





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Encyclopaedia Britannica launches subscription iOS app
Encyclopaedia Britannica launches subscription iOS app
It was all doom, gloom and sign o the times when the Encyclopaedia Britannica stilled its printing presses for the last time earlier this year, but it's back armed with vast amounts of knowledge and a new smartphone app.
The app is free, but there's a catch of course - £1.99 a month gets you full access to all the facts and figures contained therein. If you don't fancy the subscription, there are some free features (like the first 100 words of every article).
Oh, and for the time being you'll also have to shell out for an iPhone, iPad or iPod Touch (with iOS 4.3 or later) to get the app, although it is coming to other platforms like Android "by the end of the year".

Knowledge is power

It's not just a load of facts in app format, the iOS-based encyclopaedia also comes with interactive features like video and suggestions of related articles that you might want to hop to next.
Ian Grant, MD of Encyclopaedia Britannica UK, said, "This app will provide access to our expertly edited and curated content for millions of people and continue our commitment to education in the mobile age.
"The release of the Britannica app also marks another important step in the transformation of the Britannica business following the cessation of the publishing of the 32-volume print set. The app will significantly add to our existing extensive online and mobile product offerings."





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Apple and Samsung CEOs set for patent war peace talks
Apple and Samsung CEOs set for patent war peace talks
An end to the seemingly eternal courtroom struggle between Apple and Samsung may finally be on the horizon, following reports that the two companies' top brass are to discuss a settlement.
Apple CEO Tim Cook and his Korean counterpart Gee-Sung Choi will meet in a Mafia-style sit-down in the next 90-days, according to the FOSS Patents website.
The two companies have been at loggerheads for exactly a year since Apple filed patent infringement suits across the world, alleging Samsung's Galaxy gadgets 'blatantly copied' the iPhone and iPad.
The forthcoming meeting offers the opportunity to draw a line under the suit-counter-suit saga, which has often drawn as much attention as the rivals' smartphone and tablet releases.

Willing to participate

The meeting was requested by California's Judge Lucy Koh and will be overseen by U.S. Magistrate Judge Joseph C. Spero.
A joint statement from Apple and Samsung's representatives told the California court presiding over the suit: "As directed by the Court, Apple and Samsung are both willing to participate in a Magistrate Judge Settlement Conference with Judge Spero as mediator.
"At Apple, the chief executive officer and general counsel are the appropriate decision-makers, and they will represent Apple during the upcoming settlement discussions. At Samsung, the chief executive officer and general counsel are also the appropriate decision-makers, and they will represent Samsung during these settlement discussions."
A settlement, if one can be reached, would allow Apple and Samsung to refocus on the business of making unthinkable amounts of money together.
Samsung supplies Apple with many of the components for its gadgets in a joint economy believed to be worth around $8 billion a year.





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Motorola's LapDock could be Google's next ChromeBook
Motorola's LapDock could be Google's next ChromeBook
Android certainly doesn't need any help when it comes to the smartphone market, but tablets are another story.
However, a new report predicts that the search giant may be looking to its Motorola acquisition to help on this front.
Google's great white hope may lie in its $12.5 billion acquisition of Motorola -- and in particular, the manufacturer's LapDock accessory, which is capable of converting a smartphone into a notebook computer.

From LapDock to Google ChromeBook

Motorola's Android-powered Atrix 4G handset slips neatly into the LapDock accessory to convert it into a Linux-powered notebook, but the experience proved awkward and sluggish for many users.
The solution could be Chrome OS, which could breathe new life into Motorola's hardware while giving a much-needed boost to Google's sagging mobile OS.
With ChromeBooks priced around $420, a Google-Motorola tie-up around Chrome OS could see the hardware price plummet, since a required smartphone would handle most of the processing and data connectivity.
Chrome OS requires an Internet connection to bring the browser-based operating system to life, and where better to pull such data than from a user's existing smartphone?
The LapDock/Google ChromeBook is just speculation right now, but this could be a situation where companies and consumers benefit from this union.
Via: Gigaom





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Oracle tells jury Google stole Android technology
Oracle tells jury Google stole Android technology
Oracle attorneys told a federal jury that Google knew as far back as 2005 that it needed to license Java when developing the Android OS.

Google exec's incriminating email presented in court

In an October 2005 email brought out in court, Google senior vice president Andy Rubin was cited as proposing a licensing agreement with Oracle chief executive officer Larry Page.
Evidence was also brought forward showing that as of February 2006 Google was in negotiations for a Java license with Oracle. However, ultimately the deal fell through when Google didn't agree to the terms of the license, Oracle's attorney said.

Oracle's claim 'threatening Java community'?

Oracle is now seeking $1.1 billion in damages as well as a license agreement for Google to continue distributing Android.
"The creators of Java made it free and open, and cheered the launch of Android," a Google spokesperson told TechRadar.
"Oracle's claims not only go beyond copyright and patent law, but also threaten the entire Java community, software developers, and the goal of making systems work together smoothly."
The cheering Google refers to came from Sun Microsystems then-CEO Jonathan Schwartz back in 2007, who praised Android at launch. That same blog post of praise mysteriously vanished after Oracle acquired Sun and became embroiled in the current copyright suit with Google.
The two month long trial between Oracle and Google only just started today, which may finally bring closure to the long-standing patent dispute.





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Amazon rife with bestseller knockoffs
Amazon rife with bestseller knockoffs
A quick search for books on Amazon may yield unexpected results, with numerous copycat titles appearing alongside their legitimate bestseller counterparts.

Obvious fake titles fooling just about everyone

Knockoff titles such as Twilight New Moon, I am the Girl with the Dragon Tattoo, and Thirty-Five Shades of Gray are increasingly common to fool unassuming readers into buying the wrong book.
Some don't even bother to change the title, such as the now removed knockoff Steve Jobs credited to Isaac Worthington, ripping off Walter Isaacson's bestseller.

Self publishing service makes creating knockoffs easy

Shared in common between the knockoffs is Amazon's CreateSpace tool and service. CreateSpace makes it easy for authors to self-publish their books through Amazon and other sites, with proceeds split between the author and Amazon.
Of course, not all CreateSpace books are copycats and scams, but a significant number of those scam books list CreateSpace as their publisher.

Most fake titles removed

When other media outlets approached Amazon about the surge in knockoffs, the retailer removed many of the offending titles.
However, it raises questions about Amazon's screening process, if one exists, and whether steps will be taken to prevent book scams from appearing on Amazon in the future.
With Amazon receiving a cut from CreateSpace published books, it seems the responsibility should fall on Amazon to better monitor its service rather than relying on publishers to react only after copycats are found.
Via: Fortune





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Samsung Galaxy Tab 2 10.1 to get quad-core upgrade?
Samsung Galaxy Tab 2 10.1 to get quad-core upgrade?
Samsung has reportedly halted production of its latest Galaxy Tab device, in order to equip the tablet with a faster, more powerful quad-core processor.
The Galaxy Tab 2 10.1 was (still is?) scheduled to go on sale in May, touting the same 1GHz dual-core processor as its predecessor.
Netbook News reports that Samsung has decided that's not good enough and that an extra pair of processors need to be added into the mix.
The site speculates that the upgraded model, internally codenamed "Espresso" might feature the Samsung Exynos 4412 quad-core processor.
The chipset, based on ARM architecture, is rumoured to arrive on the Samsung Galaxy S3 smartphone when it launches on May 3.

Delays ahoy?

Whether this strategic change, less than a month before the device was scheduled to go on sale, will affect the planned release date for the Galaxy Tab 2 10.1 is as yet unknown.
The tablet was scheduled to go on sale in the United States on May 13, with a UK launch not far behind.
The device has already been hit by numerous delays, since its announcement at MWC, mainly relating to the implementation of Android Ice Cream Sandwich.
The report also mentions that the forthcoming Galaxy Note 10.1 is also scheduled for the same treatment, but the Galaxy Tab 2 7.0 will keep its dual-core offering.





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Anonymous vows to continue attacks on Home Office, GCHQ
Anonymous vows to continue attacks on Home Office, GCHQ
The hacking collective known as Anonymous plans to continue its attacks on UK government websites this weekend.
The group says it will once again target the Home Office and the Government Communications Headquarters (GCHQ) cyber security agency, as part of Operation Trial at Home.
The online activism protests the planned extradition treaty between the UK and the United States, which could allow for Brits, like alleged hacker Gary McKinnon, to be sent for trial in the US.
As a result, Anonymous has been successful, to an extent, in disabling government sites through denial of service (DDoS) attacks over the course of the last two Saturdays.

Who's next?

In response to a 'who's next' query from ZDnet's Thomas Espiner on Twitter, Anonymous UK's 'Winston Smith' brazenly confirmed this Saturday's hit-list.
"What's the next target for attack? Definitely GCHQ, and it's definitely the Home Office," he said.
Anonymous has, once again, served notice of its intentions. Is there any chance the government, which promised greater precautions, can do a better job of heading-off the attacks?

What would Bob do?

With the apparent ease at which Anonymous is able to bring down agency websites around the world, it begs the question, what would the legendary 'stick it to the man' poet Bob Dylan do?
If Subterranean Homesick Blues were to be rewritten for the 21st Century, does that mean the line: "I'm on the pavement thinkin' 'bout the government" would be replaced with "I'm on the laptop takin' down the government."?
Oh the times, they are a-changin'.





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Review: Samsung Focus Flash
Review: Samsung Focus Flash

Introduction


The Samsung Focus Flash is Samsung's entry-level WP7 phone. Available on AT&T, it's possible to get it for free, after two-year commitment. The off contract price is $399.
Samsung Focus Flash
The Flash is very closely related to its name sharing sibling, the Focus S. The two phones share a lot of similarities, to the point that they're very nearly the same device, save for a few key differences. Instead reviewing features we've already seen in the Focus S, our goal with this Focus Flash review is to point out those key distinctions.
Just like the Focus S (and essentially all current WP7 phones), the Flash has a single core 1.4GHz Snapdragon processor and 512MB of RAM, so it will perform identically to its WP7 brethren. Considering how much cheaper it is, the Flash is a very good value.
Samsung Focus Flash
While its internal hardware is the same, its overall form factor and design is very different. The Flash is much smaller, sporting a 3.7-inch display, though it's still 800x480 and Super AMOLED Plus.
The sacrifices in screen size results in a nice compact device, and Samsung's decision to stick with the Super AMOLED Plus and WVGA resolution makes for an excellent experience.
Samsung Focus Flash
Despite the smaller screen, the Focus Flash weight 116.2g, nearly 6g more than the Focus S. At 116.1 x 58.7 x 11mm, it's also about 2.5mm thicker, but it's still a very compact and relatively lightweight device.
The extra weight and compact size gives the Flash a very solid feel; however, the battery cover can creak slightly when light torque is applied. The cover itself is a rigid piece of plastic with an accent across the middle made to look like brushed metal.
Samsung Focus Flash
The Flash also has a 5MP rear camera with LED flash (a significant step down from the 8MP offering of the Focus S) as well as a VGA quality front facing camera (also a step down from 1.3MP). The Focus Flash does benefit in that its rear camera does not protrude from the back of the phone, protecting the lens from scratches.
The buttons and ports layout is very similar to the Focus S: MicroUSB bottom middle, 3.5mm audio top left, Power/Lock and Camera buttons on the right, and Volume rocker on the left.
The Back, Start, and Search keys are on the face of the phone, under the display. Unlike the S, the Focus Flash has a physical Start button, though Back and Search remain capacitive.
Like its big brother, the Flash has multiple microphones for active noise cancellation. The loud speaker is next to the rear camera lens.
Samsung Focus Flash
Removing the batter cover reveals the SIM slot and 1500mAh battery, nearly the same size found in the Focus S, so battery life is nearly the same. Sadly, there is no MicroSD slot, a disappointment we've had with all WP7 phones.
You're limited to just 8GB of internal storage (only about 6.6GB of which is user accessible). Compared to the Focus S, this is about half, and for many people, this could be a deal breaker.
Samsung Focus Flash
Overall, the Focus Flash makes for a solid smartphone for anyone looking for something on the more compact side. It's arguably the best valued WP7 device available for AT&T, though the Nokia Lumia 900 makes a compelling argument there as well.

Interface, contacts, and messaging

Interface

Samsung Focus Flash
As a WP7 device, the Samsung Focus Flash's interface is basically identical to most every other WP7 device. Except for the Device Info text in the About section of the Settings, we're certain anyone would be hard pressed to spot any differences whatsoever between the Flash's interface and that of the Focus S.
Samsung Focus Flash
You get the same "Metro" themed, tile-based UI and system-wide integration Microsoft is striving for in its WP7 line. It was all covered in detail on the Interface page of our Focus S review.

Contacts and calling

As far as the contacts and calling interface is concerned, the Samsung Focus Flash is no different from the Focus S. You can grab those details on the Contacts and calling page of the Focus S review.
Samsung Focus Flash
Your contact list, social networking buddies, and e-mail contacts are all lumped together in the People Tile. The Flash even has the same smart dialer for making calls.
However, there are two aspects that are slightly different when it comes to making calls.
Firstly, the Focus S has Wide-Band AMR capability, which can help increase audio quality during a call.
The Focus S does not have this feature, though call quality does not seem to suffer much without it.
Samsung Focus Flash
Secondly – and this is slightly more serious – the Focus S appears to have a marginally weaker antenna. In areas with strong coverage, this doesn't make any difference, but if you're ever on the cusp of cell coverage, you'll find the Focus S will maintain a connection a little better than the Focus Flash.
The antenna strength issue is fairly minor and should really only affect people who live in or frequent areas with poor cell coverage.

Messaging

The Samsung Focus Flash offers very nearly the same messaging experience you'd get with the Focus S. The Texting app, Windows Live Messenger, and e-mail apps are exactly the same. Even Facebook chat has the same short labyrinth to navigate before you can use it.
Samsung Focus Flash
Just like the Focus S, E-mail has a tile that incorporates all of your E-mail accounts, and everything else is taken care of by the Messaging tile.
While the options are exactly the same, the act of inputting and manipulating text is where the experience differs.
For anyone coming from a larger device, like the Focus S, the Focus Flash will pose a bit of a learning curve when it comes to typing. The smaller screen makes it slightly more prone to typing errors.
Samsung Focus Flash
Where the Focus S offers plenty of space to type comfortably in portrait mode, people using the Focus Flash may prefer the added space of typing in landscape mode. Nonetheless, after a week or two, your average texter will adjust well to the keyboard size.
Selecting and highlighting text also gets a bit more complicated due to the smaller screen size. You'll find that your finger obscures even more of the text you're trying to highlight, and fine tuning cursor placements takes some practice.

Internet, camera, and video

Internet

Even with its lower price tag, the Samsung Focus Flash is still a 4G HSPA+ device, meaning it's capable of up to 21Mbps download speeds; however, our main complaint is against AT&T's network.
Samsung Focus Flash
As with all of AT&T's HSPA+ devices, 4G speeds just aren't realistically achievable where we've been testing – which is throughout most of the San Francisco Bay Area.
In all of our speed tests, we had only one result in excess of 4Mbps, and an average of 1.8Mbps.
1.8Mbps is still a decent result when it comes to basic web browsing, but don't expect to do much video streaming.
Samsung Focus Flash
Web browsing, search, and navigation are exactly as they are in the Focus S.
We're still very happy with the Internet Explorer browser, the integrated Bing search features are just as effective, and navigation still has a lot of room for improvement.

Camera

Apart from the screen size, the camera is one of the biggest differences between the Samsung Focus Flash and the Focus S.
Compared to the Focus S' top tier 8MP camera module, the 5MP sensor found in the Flash may seem a little dinky.
Despite the weaker specs, the Focus Flash can still take a decent picture, high enough quality for use as a text message or uploading to your Facebook account, which is the primary use for a smartphone camera anyway.
Samsung Focus Flash
Side-by-side, the Flash's photos do pale a bit in comparison to the Focus S' photos. Overall, the Flash's photos don't come out quite as crisp and the color temperature tends to lean on the cooler side.
Going into the camera settings reveals even more differences between the two models. The Focus S has a handful of extra options, such as additional Image Effects, Anti-shaking, and Wide Dynamic Range.
Both cameras have trouble performing well in low light, but where the Focus S would seem to wash out details with its flash, the Focus Flash doesn't quite flash bright enough to adequately light the scene.
Samsung Focus Flash
Like all WP7 devices, the Focus Flash has a two-stage dedicated camera button – half press for focus, full press to snap a photo. Holding the camera button also acts as a shortcut to the camera app.
The front facing camera is also a step down from what the Focus S has to offer.
The Focus Flash is only capable of VGA resolution photos (about 0.3MP), while the S has a 1.3MP sensor, though the actual quality difference between the two is hard to distinguish – both being pretty low quality.
Samsung Focus Flash
Without Wide Dynamic Range, you have no manual control over details in shots like this.
Samsung Focus Flash
The Focus Flash's macro shots don't seem to show as much depth as the Focus S.
Samsung Focus Flash
Even with good lighting, images come out slightly grainy.
Samsung Focus Flash
Using the flash helps in low light, but it won't fill the entire scene.

Video

Even though the image sensor is significantly lower resolution, the Samsung Focus Flash is just as capable at shooting 720p video as the Focus S.
Samsung Focus Flash
As long as you have adequate natural lighting, the Focus Flash has no trouble keeping up with its high-end brother in terms of quality. Its only real fault is a slightly cold shifted color production.
Once lighting starts to fade, you'll find that the Focus Flash starts to get a bit grainy. The same happens with the Focus S, but it's slightly more tolerant of low light.
The Flash also suffers from the same oddities in that it doesn't allow zooming while recording and it defaults to VGA resolution instead of 720p. This behavior seems to be standard amongst WP7 devices.
As an entry-level smartphone with 720p recording, the Focus Flash stands out as a solid contender against other WP7 phones.

Media, Battery, and Maps and Apps

Media

Apart from its smaller screen, the Samsung Focus Flash is a very capable multimedia device. Compared to the Focus S, it offers all of the same apps and features for video and music playback.
Samsung Focus Flash
Most of the multimedia function is handled through the Microsoft Zune platform which offers a music store, FM radio, and of course Zune Music Pass for MP3 streaming.
The Flash's smaller size makes it well suited as an MP3 player; however, its 8GB of total storage does not.
You'll likely want some sort of streaming service if you plan on getting series with your tunes.
The Flash also has SmartDJ for building quick playlists and Bing Music Search for easily identifying and purchasing songs, both function just as they do with the Focus S.
Samsung Focus Flash
As for video playback, the Flash supports the same limited list of file formats as its big brother, accompanied with the same headache associated with the Zune software, but it also excels just as well at HD playback of supported formats.
The Super AMOLED Plus display is vivid and features great contrast ratios, but if watching videos is your thing, you'll probably want to consider a larger device.

Battery life and connectivity

While the 1500mAh battery in the Samsung Focus Flash is a tiny bit smaller than the battery in the Focus S, the smaller display allows for very similar battery life.
At first, we were surprised that we were getting roughly 14 hours of battery life while the phone was primarily left in standby mode – pretty appalling. We eventually found that the culprit was a poor cell connection.
Samsung Focus Flash
Because the antenna is slightly weaker and we were using the phone on the edge of a coverage zone, the connection constantly had to be reestablished, quickly draining the battery.
Simply moving the phone a few feet was enough to keep a solid connection, allowing us to achieve battery life pretty much identical to the Focus S.
Apart from the minor reception issue, overall connectivity is similar to the Focus S. Bluetooth 2.1, A-GPS, FM radio (using the stereo cable as an antenna), and Wireless B/G/N are all included. WiFi sharing is also possible.
Samsung Focus Flash
Our WiFi test maxed out the speed test server.
Unlike the Focus S, however, the Flash only has a 2.4GHz wireless radio. The 5.0GHz band certainly isn't a requirement these days, but considering the growing congestion on 2.4GHz connections, it could be very useful in the not so distant future.
Bluetooth file sharing is still an impossibility with WP7, which is unfortunate, but the Zune software does allow for syncing over your wireless network to make up for the inconvenience.
One of the biggest disappointments is, once again, AT&T's network. While the Focus Flash is a 4G HSPA+ device capable of 21Mbps (just like the Focus S), we only averaged 1.8Mbps in our speed tests.
The max speed we reached was 4.2Mbps – the only time we broke 2Mbps.
AT&T is known to be problematic in the San Francisco Bay Area, so these speed issues may not be relevant in your area. 4G LTE, though harder on the battery, could be the remedy we're looking for. If only the Flash were an LTE device.

Maps and apps

For apps, the Samsung Focus Flash makes use of the WP7 Marketplace, which really hasn't changed at all since our Focus S review. Since that review, the market has grown by about 10,000 apps, putting it at a total of 83,000.
Samsung Focus Flash
Microsoft Office comes included, of course, and Xbox Live offers a slowly growing game library. This is something that will be consistent among all WP7 devices.
The same holds true for maps and navigation. Microsoft has done very well in getting it half right, and half wrong.
Location searches and even directions are a breeze thanks to Local Scout, but navigation is still a mess. Unless you have a passenger to help you navigate the navigation app, it's best not to rely solely on the Flash for turn-by-turn directions.
Samsung Focus Flash

Verdict

Samsung Focus Flash
The Samsung Focus Flash is essentially a Focus S in a smaller package. It represents an excellent value (Free with two-year agreement) amongst AT&T WP7 phones and brings high-end performance to an entry-level device.
Of course the Flash does cut a few corners to keep its costs down. It features only 8GB of storage instead of 16GB, and the 5MP camera lacks many of the options found with the 8MP module on the Focus S.

We Liked

The 1.4GHz processor is the same Snapdragon processor found in high-end WP7 phones.
Though on the smaller side, the display is still WVGA and Super AMOLED Plus which gives a crisp, vivid image.
It is compact yet manages to stay relatively feature packed. If cost is a concern, it's tough to argue with Free!

We disliked

8GB of storage (with only 6.6GB user accessible) is a travesty that's made worse by the lack of an expandable storage slot.
Cellular signal strength appears slightly weaker than other smartphones.
HSPA+ 4G is underwhelming on AT&T's network and made worse by the fact that AT&T is switching to LTE.
The 5MP camera isn't exactly bad, but don't expect to be impressed.

Final verdict

If you absolutely have to have a WP7 phone, and it has to be free, the Focus Flash is the best AT&T has to offer. Just know that you'll be limited in storage space, and don't expect it to replace a real digital camera.
The Flash is also a great MP3 device, so long as you don't plan on carrying more than 6GB of music. It's not a great choice for video, though. There just isn't enough storage space for HD content, and you'd likely prefer a larger screen.
As great of a value as the Flash is, the Nokia Lumia 900 certainly challenges that spot. It costs a bit more, but doesn't cut any corners.



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Motorola set to launch Razr HD
Motorola set to launch Razr HD
Motorola may continue its attempts to revive the iconic Razr brand, by launching a new high definition version of the handset.
Droid-Life reports that the heavily-tipped Droid Fighter device is likely to arrive as the Razr HD when it decides to make an official appearance.
Leaked EXIF Files mention the Razr HD device by name and claim it will run Android Ice Cream Sandwich out of the box.
The limited spec sheet also mentions that the rear camera will have an iPhone 4S-matching aperture of f2.4, while previous rumours believed the Fighter would shoot 13.1-megapixel photos.

On the comeback trail

It seems fair to assume, as Droid Life does, that the 'HD' moniker will refer to an improved high definition screen resolution, although there's no mention of a specific resolution.
The launch of a Razr HD would be the third release since Motorola afforded its most famous device the chance of a comeback last year.
Since then, US users also saw the launch of the Razr Maxx, which offered supreme battery life, especially for a 4G phone.





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Opinion: Google Drive: motivated by meanness
Opinion: Google Drive: motivated by meanness
Hurrah for Google! Just six years after it was about to launch, Google Drive is finally about to launch!
I don't know about you, but I'm excited. At last I'll be able to store files in the cloud, enabling me to access them from anywhere. And not just that, but I'll be able to use them on tablets and on smartphones too. If it weren't for DropBoxSugarSynciCloudSkyDrive that'd be pretty mind-blowing.
Okay, okay, I'm being mean. But I can't help thinking that Google Drive's imminent appearance is motivated by meanness too.
Google Drive has been vapourware for years, and while Google never shipped it firms such as Dropbox got on with the job of creating elegant cloud syncing services that are real, that work, and that are loved by their users.
I bet Dropbox is in Sergey Brin's Enemies of the Internet list along with Facebook and Apple. I bet he sits there, imagining all those files, hidden from the watchful eyes of Google's spiders. "There is information on the internet we cannot crawl?" he shouts. "DropBox must die!"
Something like that, anyway.

Google Eggs, Google Basket

Even if you don't care for other sync services, there are reasons to think twice before trusting Google with yet another piece of your personal information.
Storing everything with one organisation, whether it's Google or anybody else, means that in the event of a privacy breach or law enforcement fishing expedition there's a lot of stuff about you being shared.
Less dramatically but probably more importantly, Google makes children cry.
Take Alex, for example. Alex was ten when Google killed all of his accounts: he created a Google Profile, and because Google accounts aren't supposed to be available to under-13s, all of his existing Google services were locked down.
As his dad explained, "Google is basically just going to delete his last two years of email messages (they don't offer any way to log in and export his messages), and plans to cut him off from his family until he turns 13. This is a kid who lives on the computer."
That's the problem with interlinked services. If you get shut out of one, you're often shut out of all of them -- and with Google services, it's easy to get shut out of them even if you're over 13. We saw that in the early days of Google+, when people using pseudonyms, business names or stage names found their accounts suspended.
It doesn't do it very often, but Google reserves the right to suspend a Google Account "from using a particular product or the entire Google Accounts system" if there is a violation of the Google Terms of Service, product-specific Terms of Service or product-specific policies, or "at any time, for any reason, with or without notice".
That's Google's prerogative, of course, but its guilty-until-proven-innocent approach to account suspension means I'm wary about putting too many Google eggs in the same Google basket.





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News in Brief: One More Thing: The Apple II turns 35
News in Brief: One More Thing: The Apple II turns 35
Happy Birthday to the Apple II, godfather of the modern computer, great uncle to the iPad and, um, parent's weird friend to the iPod.
We're sure the MacBook Pro fragrance is exactly what Jobs and Woz hoped the Apple II would foster when they launched it back in the '70s. What a birthday present.
Apple aside, we've also got a healthy portion of lost phones, Tumblr-takeovers and even a bit of Zooey Deschanel against our better judgement.
Pipe and slippers – It is now 35 years since Steves Jobs and Wozniak unleashed the first true PC on the world, the Apple II. Although it didn't go on sale until June 1977, the Apple II made its debut at the West Coast Computer Faire in April of the same year. And the world was never the same again. Or something. [Time]
Olfactory nonsense - There is absolutely no need for this fragrance that smells like a brand new MacBook Pro fresh from the box, so it's just as well the perfume is only for Art and not for mass production. [9to5Mac]
Potterless – Online Hogwarts Pottermore has opened its virtual doors entirely today. As well as allowing you to buy the Harry Potter ebooks, it will now sort users into houses (look, being in Hufflepuff is nothing to be ashamed of. Cedric Diggory was in Hufflepuff, for crying out loud) and read exclusive new writing by JK Rowling. So that's exciting. [Pottermore]
Pottermore
Perdu - $7 million worth of phones are lost around the world every day. That's £4.3 million worth. That's 6151 64GB iPhone 4S handsets going walkies per day. Yeesh, be a bit more careful, will you? [Mashable]
Dot tumblr dot com – October 12 2012. Mark it in your diaries – that's the day that searches for 'tumblr' looks likely to overtake searches for 'blog' and we'll be free of that irritating word forever! We assume! [xkcd]
Itsa me! – Wii U is about to get its very own Mario game, with Nintendo officially set to reveal the diminutive plumber's latest adventures at E3 this year. [Eurogamer]
Today we're dancing - There's something a bit sad about these new iPhone 4S adverts starring Samuel L Jackson and serial kookster Zooey Deschanel. Yes, Samuel L, we're sure you really do have a date and yes Zooey, it does appear to be raining. It's almost as though they don't have any real friends to talk to. Aww. [TNW]
YouTube : http://www.youtube.com/watch?v=EP1YAatv1McYouTube : http://www.youtube.com/watch?v=nqXGWQhowXk
Megaupload megaupdate – Data that was being stored on Megaupload dot com will not be destroyed yet as a judge metaphorically takes all associated parties and locks them in a room until they all start getting along. [cnet]
Translatorise this – Windows Phone's got a proper translator app of its very own, powered by Bing of course. As well as using its ears and its typing ability to interpret language from foreign parts, it can 'read' texts in other languages using its camera, specifically English, Spanish, German, French, Italian and Chinese Simplified. It even has an offline mode. Tres bien. [Windows Phone]
Drawsome – We can't promise that this crayon-shaped stylus will improve your Draw Something skills in any way, or make you any more attractive to the opposite sex, but we like its verve and its low, low price tag of £7.99. [Thumbs Up]
Crayon stylus





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Review: Panasonic Lumix TZ30
Review: Panasonic Lumix TZ30

Introduction

Panasonic's flagship TZ camera series has always been about squeezing a big zoom into a small body. And the Panasonic TZ30 pushes the boat out.
Last year's Panasonic Lumix DMC-TZ20 featured a 16x zoom and a four step increase over the 12x zoom in the Panasonic Lumix TZ10.
The Panasonic Lumix TZ30 follows suit, delivering a 20x optical zoom. This gives a 35mm equivalent focal range of 24-480mm, a 25 per cent increase at the telephoto end.
Not that you can tell from the camera's comparatively slim proportions, of 104.9 x 58.9 x 28.2mm.
Panasonic Lumix DMC-TZ30 review
The substantial lens only barrels in and out of the body once the camera's switched on and off, thanks to some fancy folded optics. The rest of the time, you're left with a sleek-looking metal shell, the design of which has remained fairly consistent since the launch of the TZ-1 in 2006.
Over the years, each update to the TZ superzoom has delivered incremental improvements to the big zoom formula. However, the Panasonic TZ20 was a significant upgrade over the TZ10, introducing an exhaustive feature set that included touchscreen controls, 1080i recording and integrated GPS.
Panasonic Lumix DMC-TZ30 review
In terms of specifications, the Panasonic Lumix TZ30 is less of an upgrade over its predecessor. It shares many of the same features as the TZ20, including the aforementioned touchscreen LCD display, Full HD video capture and GPS.
Naturally, Panasonic has fine-tuned many of these functions for the new Lumix. HD video can be shot in 1080p at 50 frames per second rather than the TZ20's 1080 interlaced. The GPS has been updated to include an on-board map, too, and the camera now features a 3D shooting mode.
Panasonic Lumix DMC-TZ30 review
The sensor size remains unchanged at 1/2.33-inch, as does the resolution of 14 megapixels.
However, the new MOS sensor has been engineered to deliver an improved signal-to-noise ratio, promising cleaner images at all ISOs.
Panasonic Lumix DMC-TZ30 review
The Panasonic Lumix TZ30's standard sensitivity range is increased by one full stop, peaking at ISO 3200 compared to the TZ20's ISO 1600.
Last of the Panasonic Lumix TZ30's big additions is the overhauled autofocus system, borrowed from the Lumix G series of compact system cameras (CSCs) such as the Panasonic Lumix DMC-GX1.
Panasonic Lumix DMC-TZ30 review
Impressions during the test were good: it made light, precise work throughout the focal length range. To compensate for camera shake with the monster zoom, the image stabilisation system has been upgraded, too.
But these upgrades don't come for free. Priced at £350 in the UK or $350 in the US - where it's called the Panasonic Lumix ZS20 - the Panasonic Lumix TZ30 is more expensive than it's older brother. It sits in the same price bracket as the Samsung EX1 (TL500), Nikon Coolpix S1200pj and even the Panasonic Lumix DMC-FT4.
Panasonic Lumix DMC-TZ30 review

Build quality and handling

As well as sharing similar specs, the Panasonic Lumix TZ30 is a dead ringer for its predecessor. It's an attractive, solid camera that's fractionally smaller than the TZ20.
Build quality is exemplary. With its far-ranging zoom and GPS, the Panasonic TZ30 is a camera designed with the needs of travel photographers in mind - and it feels like a compact that will shrug off the hustle and bumps of travelling, too.
Panasonic Lumix DMC-TZ30 review
Like the Panasonic TZ20, a 3-inch touchscreen gives you access to the camera's controls during shooting and playback.
Panasonic clearly understands that touchscreens aren't for everyone, and the camera comes with the familiar spread of conventional switches and buttons as well.
Panasonic Lumix DMC-TZ30 review
The controls on the rear of the camera are identical to the TZ20's, save for a slightly redesigned four-way control pad and an Exposure button that now gives direct access to the GPS map during playback, in addition to enabling exposure adjustments while shooting.
In terms of responsiveness, the touchscreen doesn't quite cut it. Although you can shift the focus point, fire the shutter and adjust the zoom, it frequently requires firm pressure or more than one tap to do so.
Panasonic Lumix DMC-TZ30 review
During image review, the Panasonic Lumix TZ30's touchscreen feels more efficient, allowing you to swipe through your photo collection swiftly.
In fact, the camera's pretty swift all round. We clocked the start-up times at around two seconds - not bad when you consider the size of the zoom that needs to extend from the casing.
Panasonic Lumix DMC-TZ30 review
Zooming from the widest focal length to the longest took around three seconds, an improvement over the TZ20's performance.
The speed of autofocus acquisition is of particular note. It really impresses at the widest 24mm setting, although lock-on speed does slow as you hit the telephoto extremes of the zoom. It's still brisk when compared to other superzooms, though.
Panasonic Lumix DMC-TZ30 review
In terms of continuous shooting, the 5fps burst mode is more useful than the 10fps mode, since it enables continuous focusing between frames. Go to 10fps or higher, and the focus is fixed on the first frame.
However, even with continuous focus, the camera struggled to keep up with moderate action during our test. Using the 5fps mode, we averaged between 15 and 18 JPEGs before shooting speed stuttered, too, although the memory card's speed will play a factor here.

Performance

Pictures produced by the Panasonic Lumix TZ30 have a bright, dynamic look. Contrast levels are decent and saturation is strong, without detail being sacrificed for vividness.
Where detail is lost, however, it's invariably down to noise and the smudging effects of noise reduction. Luminance noise is visible throughout the ISO range. Viewing images at actual size (or 100%), some mottling is noticeable in blue skies shot at ISO 100.
Panasonic Lumix DMC-TZ30 review
Edges also start to look choppy from ISO 400, and at ISO 800, artefacts and colour noise become obvious.
Panasonic Lumix DMC-TZ30 review
In other words, the Panasonic Lumix TZ30 puts in a typical performance for a 1/2.33-inch sensor that boasts a resolution of 14 million pixels.
Panasonic Lumix DMC-TZ30 review
Despite there being some slight purple fringing around high-contrast subjects such as telegraph poles and trees against bright skies, the zoom delivered acceptable sharpness through the range.
Panasonic Lumix DMC-TZ30 review
There's some drop-off towards the edges, and there's always the nagging feeling that the image processing is masking some of the potential of the Leica lens.
Panasonic Lumix DMC-TZ30 review
The metering system produces generally well balanced exposures. It tended to bias readings towards mid-tone and shadow detail during the course of our test, meaning that delicate details in bright skies, pale flower petals and other highlights were sometimes lost to overexposure.
Panasonic Lumix DMC-TZ30 review
The Panasonic Lumix TZ30's HD video recording is more than capable. A one-touch movie button enables you to start shooting instantly, and full-time zoom and autofocus are available while you record.
Panasonic Lumix DMC-TZ30 review
The continuous autofocus can take a while to catch up, particularly at full zoom, but this function can be switched off.
Panasonic Lumix DMC-TZ30 review
Video shot in low light is a little noisy, and the stereo mics mounted just above the lens pick up the grind of the zoom motors in quiet situations (our test camera was particularly creaky as it approached the tele end).
Panasonic Lumix DMC-TZ30 review
The optical image stabilisation system is active when filming, though, which certainly helps when using the zoom at its maximum extension. Ultimately, the Panasonic Lumix TZ30 is an excellent compact camera for HD capture.
Panasonic Lumix DMC-TZ30 review
Panasonic Lumix DMC-TZ30 review

Resolution

As part of our image quality testing for the Panasonic DMC TZ-30, we've shot our resolution chart.
If you view our crops of the resolution chart's central section at 100% (or Actual Pixels) you will see that, for example, at ISO 100 the Panasonic TZ-30 is capable of resolving up to around 20 (line widths per picture height x100) in its highest quality JPEG files.
For a full explanation of what our resolution charts mean, and how to read them please click here to read the full article.
Examining images of the chart taken at each sensitivity setting reveals the following resolution scores in line widths per picture height x100:
Panasonic tz-30 review: resolution iso 100
Panasonic tz-30 review: resolution iso 100
ISO 100, score: 20 (Click here to see the full resolution image)
Panasonic tz-30 review: resolution iso 200
ISO 200, score: 20 (Click here to see the full resolution image)
Panasonic tz-30 review: resolution iso 400
ISO 400, score: 18 (Click here to see the full resolution image)
Panasonic tz-30 review: resolution iso 800
ISO 800, score: 18 (Click here to see the full resolution image)
Panasonic tz-30 review: resolution iso 1600
ISO 1600, score: 16 (Click here to see the full resolution image)
Panasonic tz-30 review: resolution iso 3200
ISO 3200, score: 12 (Click here to see the full resolution image)

Noise and dynamic range

Noise and dynamic range

We shoot a specially designed chart in carefully controlled conditions and the resulting images are analysed using DXO Analyzer software to generate the data to produce the graphs below.
A high signal to noise ratio (SNR) indicates a cleaner and better quality image.For more more details on how to interpret our test data, check out our full explanation of our noise and dynamic range tests.

JPEG signal to noise ratio

Panasonic TZ-30 review: JPEG signal to noise ratio
JPEG images from the Panasonic TZ-30 have a lower signal to noise ratio than the Fujifilm F600 EXR and Olympus SP-620 UZ at the lower end of the sensitivity scale. At the top end of the sensitivity scale the TZ-30 shows good noise performance for low light conditions producing similar results to the Samsung WB750.

Dynamic range

Panasonic TZ-30 review: JPEG dynamic range
This chart indicates that the Panasonic TZ-30 is capable of capturing a good tonal gradation in the shadows and highlights across the sensitivity range, out-performing all but the Samsung WB750.

Sample images

Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The Panasonic Lumix TZ30 is a fun camera to use. The GPS map feature is entertaining and works reasonably quickly. Pressing the DISP button while on the map screen enables you to view a stream of thumbnails that have been tagged with a certain location's data.
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The Panasonic Lumix TZ30's Creative Control exposure mode features 10 preset effects, including High Key, Retro and Miniature, as shown here. Creative Retouch can be used to apply six similar treatments to previously captured images.
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The success of any superzoom rests in the strength of the lens. The versatility of the 24-480mm equivalent on offer here is impressive. In macro mode, it can even get you within 3cm of a subject at the wide setting.
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The Quick Menu button enables you to change key camera settings quickly on the LCD using the four-way pad, without having to dive into the main menu. This can help you react faster to picture opportunities.
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The autofocus worked exceptionally well outdoors in good light during our test. When the camera was held at arm's length above the crowds at this spot, the AF system reacted quickly and enabled us to capture action that we couldn't see. There are four main AF modes on offer: Spot, 1-Area, 23-Area and Face Detection.
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The Panasonic Lumix TZ30 features a dedicated 3D mode. This is more suited to static subjects such as this scene, where the camera takes a series of frames once you press the shutter release, and combines the images that will produce the most pronounced effect.
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The Panasonic Lumix TZ30 at 4.3mm (24mm equivalent)
Panasonic Lumix DMC-TZ30 review
Click here to see the full resolution image
The Panasonic Lumix TZ30 at 86mm (480mm equivalent)

Sensitivity

Panasonic Lumix DMC-TZ30 review
Full ISO 100 image, see the cropped (100%) versions below.
Panasonic Lumix DMC-TZ30 review
ISO 100 Click here to see the full resolution image
Panasonic Lumix DMC-TZ30 review
ISO 200 Click here to see the full resolution image
Panasonic Lumix DMC-TZ30 review
ISO 400 Click here to see the full resolution image
Panasonic Lumix DMC-TZ30 review
ISO 800 Click here to see the full resolution image
Panasonic Lumix DMC-TZ30 review
ISO 1600 Click here to see the full resolution image
Panasonic Lumix DMC-TZ30 review
ISO 3200 Click here to see the full resolution image

Verdict

Overall, the Panasonic Lumix TZ30 leaves a good impression. The extensive zoom, excellent optical image stabilisation and spritely autofocus mean it's a responsive and easy to use camera.
The touchscreen won't be to everyone's taste, though, and the fact that you have to flick a small switch to shift from playback to record mode, rather than simply dabbing the shutter release, means that there can be a frustrating lag between reviewing shots and taking them.

We liked

The Panasonic Lumix TZ30 offers a flexible zoom range and extensive range of creative options in a compact body.

We disliked

When it comes to dealing with noise, the Panasonic Lumix TZ30 is still left a little wanting. Weak battery life and lack of raw capture are disappointing, too.

Final verdict

The Panasonic Lumix TZ30 is quite an expensive camera, although when you take into account the raft of functions it starts to appear good value.
Features are one thing, though - image quality is quite another. Although the Panasonic Lumix TZ30 is capable of capturing good pictures, we don't feel the camera's images match the high levels of performance it delivers elsewhere.
That said, it's a great all-rounder that gives you a versatile optical zoom, 1080p HD video capture and GPS in a robust body. Few compacts include such an efficient autofocus system, too. While it's a step up from the TZ20 in terms of performance and picture quality, it's possibly not a significant enough one to rush into upgrading.





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Analogue TV signal in London to be switched off at midnight tonight
Analogue TV signal in London to be switched off at midnight tonight
The analogue television signal is to be switched off in London at midnight tonight, marking the end of 75 years of analogue broadcasting in the capital.
To make sure the final hours of fuzzy TV and bad reception goes out with a bang, a special light show has been commissioned for the landmark moment.
This will take place at the Crystal Palace relay transmitter on April 18 and 19 – the transmitter being one of 52 across the Capital that are being switched off.

Let there be light

According to Arqiva, the folks behind the UK's digital switchover, the light show is set to turn the Crystal Palace relay tower into something akin to the Eiffel Tower – with 200,000 watts of lighting (all energy efficient) being used to light the monument up. We can promise you now it won't be anywhere near as romantic.
The first of the light shows will begin at 9:15pm on April 18.
Among the celebs attending the light show will be Sir David Attenborough and Chris Evans.
It is expected that 12 million viewers will be affected but out of these, according to Digital UK, fewer than one in four households have an analogue set in their home and the majority of these are second televisions.
When the signal is switched off – London is the biggest block still to do this – 83 per cent of the UK will now be digital, with parts of Tyne Tees, Meridian and Northern Ireland set for the switchover later in the year.
And then once that's done, it'll be the radio signal that's set to get a digital makeover - but the government has yet to put a real date as to when this will be done.





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Interview: How the experts track a stolen laptop
Interview: How the experts track a stolen laptop

How the experts track a stolen laptop

You've heard the tales who manage to recover their laptops through identifying those responsible, but have you ever wondered how the professionals do it?
We spoke to the head of the investigation team that spends its time recovering stolen laptops for clients ranging from large corporates with crucial data at stake to individuals trying to get back their family photos.
The clients in question are uses of Absolute Software's LoJack for Laptops – a subscription service for Mac and PC.
The protection includes software at the firmware level, but also includes the services of a specialist recovery team who investigate a theft on your behalf after you report it.
We spoke to Derek Skinner, Head of Recovery for Absolute in Europe. He leads a squad of ex-Police
Globally, there are over 40 investigators. "We're all ex law enforcement," says Skinner "so we all speak the language and have a skill for investigation. It's a unique service."
"We've a thousand years of policing experience between us. A lot of the police services use our product and know who we are. We then create our evidence packs and supply them to the investigating officer."
What's the success rate? "It's three out of four, 23,000 total recoveries. It's a huge amount."

How the tracking happens

So how does it work? "What happens is say your laptop is covered by us and gets stolen or lost. You report it stolen Via the internet portal or helpline." Local law enforcement is involved straight away. "We can't do anything at all until there's a police investigation in place," explains Skinner.
"We are basically the agent for our customer, we'll contact the agency involved – we've got 6,500 law enforcement contacts globally. A huge database."
In terms of the software involved, the laptop has a tracking agent hich changes its state. "It calls back to us and says 'am I OK?' and we say 'no you're stolen, call back in 15 minutes'.
"It starts to call back across any internet connection, could be GSM, could be Wi-Fi. It's all covert, you can't see this kind of chatter. Then we actually force a couple of other tools onto the device - our forensic tools basically - so we start collecting much more information from the machine than we did in its normal state.

Undetectable software

We were intrigued how the software avoids detection. "The software bodyguard sits in the firmware, so you could take out the hard drive or format it or do what you like – as soon as the laptop is switched on again the firmware agent will check with the software agent, see it's been compromised and install a new version; the persistence level is very high."
So what happens next? "The case is assigned to an investigator and there's a personal contact then between the aggrieved individual and the investigator. On the technical side, as soon as the extra software is installed, it starts to send back screen captures, key captures, file retrieval, Wi-Fi triangulation or GPS points."
The investigators are key at this stage. "All the bits of information are worth nothing if you can't compile them correctly to supply them to law enforcement."
People are pinpointed through what they do with the system. "Facebook is a big help," says Skinner. "Obviously people order things online, eBay is a big one. All these [are] pockets of information we can pull together and validate using investigative tools that a police officer would use every day and looking at photos and triangulation maps.

Should you do anything yourself?

We also asked Skinner what he thought of vigilante action to recover stolen devices, such as the recent UK case of a man filming someone on a train when he stole a phone.
"No. There's some real horror stories our there, certainly in the US there was a fatal shooting in Dallas over a laptop with tracking software and there have been numerous issues with Find My iPhone. Obviously one iPhone is identical to another iPhone – what good is a map?
"Go to Paddington Station and see how many iPhones you can find there. Evidentially it's so weak and that's the problem with a lot of the DIY solutions; the evidence is not presented correctly, it's not interpreted correctly.
"And it's a folly to believe that people that steal laptops are just laptop thieves. We've uncovered drug rings, stolen cars, huge handling organisations where they handle tech to go out to Pakistan and Eastern Europe. You're hardly going to knock on the door and say 'can I have my laptop back please?'
"The idea may be good – 70 per cent of people say they would go themselves but it's a horrific thought. We deal with some pretty top-end criminals. A lot of these other software apps are actually downright illegal and have no certifications.

A global problem

If laptops can't be recovered, the device can be completely wiped and, in some cases, bricked. "The data can be wiped to FBI standard – seven times overpass – so the data is safe," says Skinner.
"Obviously we always want to recover the device as well, but it also adds the ability to get some closure – it potentially becomes a paperweight, nobody gains from the theft. On the other hand the device is clean and unusable."
So where do laptops end up? Everywhere it seems. "We get devices that travel around the world in days, faster than FedEx."
With people? "Yes. Obviously if it ends up in a warzone we're limited with what we can do, but we can still lock the device at the firmware level with a notice – we can write what we like. Often we can make it very personal and point out that individual.
"You'd be amazed, we've had recoveries from Nigeria, Uganda, Northern Pakistan, unstable parts of the world, just by putting enough pressure on them. We had a device go to Pakistan from the UK and back and he was picked up entering the country illegally. We see a very big picture





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Analyst: Movies should be on Ultraviolet a month after release
Analyst: Movies should be on Ultraviolet a month after release
The rise of locker systems such as Ultraviolet and video on demand services means that the gap between cinema releases and the home should be shortened, according to BTIG Research analyst Richard Greenfield.
Well known for his outspoken ruminations on the shortening of release date windows, Greenfield has explained in his latest blog post that with VoD and services like Ultraviolet now prevalent in the home, cinemas should no longer have such a long lead time when it comes to movie releases.
In a blog that will no doubt send shivers down the spine of cinema owners, Greenfield noted: "In a rapidly evolving media world, where HDTV penetration now exceeds 70 per cent, the concept of forcing consumers to attend/pay for a movie in a [cinema] for the first three to four months of a film's lifespan feels increasingly archaic."
He goes on to explain that while experiments have shown that shortening the window will push sales, studios need to do more to bring the 'cinema first' model of movie showing into line with current trends.

Put on trial

"Unfortunately, the major Hollywood studios that attempted to 'trial' or 'test' releasing movies earlier have succumbed to the aggressive push back from exhibition chains," explained Greenfield.
"The time has come for every studio to stop trialling and permanently collapse windows as the new Hollywood business model.
"Exhibitors will acquiesce as they simply cannot afford to be without content from Hollywood. It is time for studios to play offense!"
Considering the biggest criticism for VoD services like Netflix and Lovefilm is a lack of new content, Greenfield's words will certainly ring true for those who consume most of their movie content in the home.
Two examples Greenfield gives for movies that would have benefitted with coming to home sooner are The Artist and The Descendants – both of these movies garnered Oscar buzz that just wasn't capitalised on, according to Greenfield.
Greenfield: "The time has come for every studio to stop trialling and permanently collapse windows as the new Hollywood business model."
"While both Artist and Descendants will generate incremental revenues as they are released into the home entertainment channel, we believe studios are simply not maximising the profit potential of a film by maintaining an antiquated sequential release pattern, aka windowing."
He also cites Ultraviolet in the blog as another system that could benefit from shorter release schedules.
Back in March, TechRadar was told that Ultraviolet is something that may well be used by cinema chains in the UK in the future to distribute digital copies of certain movies you go and watch.
There are no concrete plans for this at present, though – much to Greenfield's annoyance.





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Ikea to launch furniture with built in tech
Ikea to launch furniture with built in tech
Lovers of low-cost Swedish furniture and low-cost no-name tech, rejoice. Ikea is about to unleash a range of flatpack homewares with integrated TVs and sound systems.
The company is set to bring out a line of furniture with smart TVs, wireless sound systems and CD, DVD and Blu-ray players built into them, designed specifically for Ikea.
The range will be called Uppleva and Ikea is working with Chinese company TCL Multimedia on the technological side of things.
The Uppleva television will be a full HD, LED smart TV with DivX HD compatibility and 400Hz MI. It comes as part of its own bench with an integrated Blu-ray, DVD, CD player and 2.1 sound system complete with wireless subwoofer.

Flat pack TV

Five European cities will see the first line arriving in June (Stockholm, Milan, Paris, Gdansk and Belin), with seven more European countries following in autumn (Sweden, Italy, France, Poland, Denmark, Norway, Spain and Portugal) and the rest of the world getting the techniture in summer 2013.
"We are launching a new concept where you in one place can buy your furniture and your electronics - designed for and matched with each other from start," said Ikea's living room chief Magnus Bondesson.
But enough of this superfluous spiel, what about the price? Well, the least complex system, with bench unit, television and sound system will start at around 6,500 Swedish kronor (about £600 or $960).
How much self-assembly will be required remains to be seen. Better limber up the allen key just in case.
YouTube : http://www.youtube.com/watch?v=0Nm7-EuctOs




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Samsung Galaxy S2 Ice Cream Sandwich update comes to unlocked handsets
Samsung Galaxy S2 Ice Cream Sandwich update comes to unlocked handsets
Samsung has finally sorted itself out and pushed the Ice Cream Sandwich update out to its long suffering Galaxy S2 customers who have unlocked handsets.
You'll need to physically plug your Galaxy S2 into your PC to receive the upgrade and we recommend you check your version of Kies is up to date before attempting the update.
Samsung told TechRadar: "Samsung UK has been working as hard as possible over the last few weeks to get Android 4.0 (Ice Cream Sandwich) rolled out to all our Galaxy S II customers.

All upgrades are complete except for Orange and T-Mobile

"We can confirm that 'XEU/sim-free' and all network upgrades are now complete except for Orange and T-Mobile which will follow as soon as possible, pending software testing and approvals. Thanks again for your patience."
Reviewed and rated
Samsung Galaxy S2 reviewSamsung Galaxy S2 review
We've managed to update the two unlocked Galaxy S2 handsets we have in the office to Android 4.0 and our fans on Twitter (@TR_Phones) and Facebook have confirmed they too are getting the upgrade.
So what can you expect from the Ice Cream Sandwich upgrade? Well you'll now be able to unlock your Samsung Galaxy S2 with your face, easily close apps in the new-look multi-tasking menu, surf the internet on the Google Chrome Beta app and manage all your precious data consumption from the settings menu.
All eyes now fall firmly on the Orange - T-Mobile partnership which is lagging way behind when it comes to the Galaxy S2 update. Last time we spoke to the networks they confirmed that the update was still in testing and they hoped to have it ready soon. Well, we're still waiting guys...





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Review: Nikon D800
Review: Nikon D800

Introduction

The excitement surrounding the announcement of the full frame Nikon D800 has been unprecedented.
One of the key topics of conversation about the new camera has been its class-leading effective pixel count of 36.3 million – perhaps proving that the pixel race is not over, and that numbers still really grab the headlines.
Could such a high pixel count be the D800's undoing though? Until recently Nikon's mantra had been that 12-million pixels is enough if the images are clean, and Nikon has a strong reputation for its cameras' low-light performance and noise control. Could 36-million pixels be a step too far, too soon?

Features

Although it has a more densely populated sensor, the 36.3Mp D800 utilises many of the new features of the previously announced 16.2Mp D4 in a smaller body and at a cheaper price. These include the same EXPEED 3 processor, the same Multi-Cam 3500 FX autofocus system, which offers 51 autofocus points and the same 91k-pixel metering system.
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It's also capable of focusing right down to -2 EV, which coupled with its ability to shoot at up to ISO 25,600 (at the Hi 2 setting), should make the D800 a promising camera for low-light shooting if image noise is at an acceptable level.
Given its effective pixel count, it's not really a surprise that the D800 has a lower maximum continuous shooting rate than the D700; but at 4fps (the D700 can manage 5fps) at full resolution with the standard battery and 5fps (D700 8fps) with a battery grip it's no slouch.
Nikon D800 review: front
As with the D4, the D800's central 11 AF points are capable of functioning at f/8. This means that the AF system will still function when teleconverters are used to extend the reach of telephoto lenses. This is great news for wildlife photographer who want to avoid the expense and burden of carrying a selection long and heavy optics. For instance, a 200-400mm f/4 fitted with a 2x teleconverter effectively becomes a 400-800mm f/8, and unlike with the Canon EOS 5D Mark III, the D800's autofocus system will still function.
The Nikon D700 doesn't feature a video mode, but the D800 brings full HD functionality. It can record 1080p video at 30, 25 and 24fps frame rates, along with 60 and 50fps rates at 720p for shooting slow-motion movies. Both FX and DX crops are available in video mode, although the D800 lacks the D4's useful 1920x1080 crop mode.
Nikon d800
In another upgrade over the D700, the D800 features dual memory card slots. Unlike the D4, the D800 makes use of existing memory card formats, namely Compact Flash and SD/SDHC/SDXC. The decision to include two formats might prove frustrating for some pros, who will now have to carry two different sets of cards.
The shutter has been tested to around 200,000 cycles, while the battery life has been reduced from the D700 to around 850 shots at CIPA standard. While the D700 was capable of around 1,000 shots, the new battery has been made to comply with a new Japanese electronics law, hence the reduction in shot output. Since the measured battery life (850 shots) includes the use of flash, it's likely that the battery has the potential to last even longer, depending on the situation.
Nikon D800 review: flash
It's worth noting here that the D800, like the D700 has a built-in pop-up flash unit (GN 12m @ ISO 100) which is useful for providing fill-in light and triggering external lights wirelessly. The Canon 5D Mark III doesn't have a flash built-in.
The D800 is available in two versions: a 'standard' body, plus a special edition, called the D800E. The latter has a modified filter over the sensor that has no anti-aliasing qualities and comes with an extra £300 premium as a result.
Removing the anti-aliasing filter allows for a potentially greater amount of detail to be resolved and comes at the price of increasing the chances of false colour or moiré patterning, which may require some extra post-capture processing.
Fortunately, this type of interference is relatively straightforward to remove in photo-editing software packages, such as Adobe Photoshop Lightroom 4. Nikon's own Capture NX2 can also be used to reduce or remove the effect, and will come bundled with the D800E.
Altogether, Nikon claims to have included 36 new features or improvements to this full-frame SLR, when compared to the Nikon D700.

Build quality and handling

In terms of size, shape and weight, the differences between the D800 and D700 are subtle. It's 10% lighter than the D700 and the body has a more 'contoured' look and feel. Like the D4, the shutter release has been slightly repositioned for better ergonomics, while a number of the controls have been tweaked.
Nikon D800 review: live view
There's a new video record button near the shutter release and a new switch to the right of the rear screen that enables you to toggle between stills and video live view. While it is possible to capture a still image when the Stills/Video switch is set to Video, video recording can only be started when the switch is at Video. These controls are mirrored on the D4, which should make switching between the two bodies a relatively straightforward process for pros with both cameras.
Nikon D800 review: AF select
Just to the left of the lens mount is a focus mode control switch and button, as on the D7000 in Nikon's DX SLR line-up, this is used in conjunction with the camera's two control dials. Rotating the rear dial enables switching between Single AF (AF-S) and Continuous AF (AF-C), while the front dial can be used to toggle between the AF point selection options available in each mode.
Nikon D800 review: rear
Although it may be surprising to hear that such a video-focused camera doesn't come with an articulating screen, the D800's fixed 921,000-dot 3.2 inch LCD panel is very good. As with the D4, it features automatic monitor brightness control and during our testing, we found it provides a clear view of images. Reflections aren't a major issue, but they are more noticeable with the D800 than on the Canon 5D Mark III's screen.
While the D700's viewfinder offers 95% frame coverage, the D800's gives a 100% view, which is especially useful when there is no time or opportunity to crop images before they are published. A dual-axis electronic virtual horizon is also a useful addition for outdoor photographers. This can be viewed either on the LCD monitor or through the viewfinder, and it continues to be displayed, even when the shutter release is half depressed.
Nikon D800 review
Anyone familiar with Nikon SLRs, especially the D700, or D3 S/X professional series, will be at ease with the menu and operation of the camera. There are no major changes other than the addition of video recording options and the change to the D7000-style focus mode switch and button.
While the AF system is advanced and there are lots of AF-point selection modes available when shooting continuously, the options are made very clear in the viewfinder and in the top-plate LCD, so it's easy to select the one you want. However, it's about time that the AF points were spread a bit further across the frame and not clustered within the DX crop area.

Performance

Our tests reveal that the Nikon D800 is capable of resolving a huge amount of detail, in fact it's not far behind the medium-format Pentax 645D, which has a 40Mp sensor that measures 44x33mm. This is an impressive feat, as although it's full-frame, the D800's sensor is considerably smaller at 35.9x24mm.
One risk with packing so many pixels onto a sensor is that the photosites have to be very small, and this can lead to increased image noise levels. The good news is that Nikon has struck a successful balance between resolution and noise.
Nikon D800 review: top buttons
However, we would recommend sticking within the native sensitivity setting (ISO 100-6400) wherever possible, and the upper expansion sensitivity values (equivalent to ISO 12800 and ISO 25600) are reserved for needs-must situations.
Nikon D800 review: shutter release
The visibility of coloured speckling (chroma noise) varies somewhat depending upon the lighting conditions. For example, in our shots taken a gym that was dimly lit by sodium lamps, chroma noise is clearly visible from around ISO 2500 when the images are viewed at 100% on the computer screen. In other situations, however, noise is only visible in the shadows from around ISO 3200-6400.
On the whole, though, ISO 3200 and even ISO 6400 images look good when sized to make A2 prints. The shadows of some images taken at ISO 25600, however, have a distinct purple or blue cast that is visible even in thumbnail images.
Nikon D800 review
We might expect dynamic range to suffer as a result of the sensor having such a high pixel count, but the D800 impresses here as well. Images have a good range of tones straight from the camera, but ironically this means that quite a few of them of them benefit from a slight boost to the contrast.
Nikon D800 review
Given that it has the same Multi-Cam 3500 FX autofocus system as the D4, which is a tweaked version of the one in the D3S, it's no surprise that the D800 is capable of focusing quickly and accurately when the need arises, even in low indoor light.
When shooting moving subjects it's worth investing a bit of time thinking about the subject and the shooting conditions as the D800 has a wealth of continuous shooting options. When following a moving subject around an area where objects such as pillars or posts may momentarily obscure it, for example, it may be sensible to set the camera to respond relatively slowly to avoid the lens from focusing on the obstruction and then having to refocus on the subject.
Nikon d800
Nikon isn't new to producing digital SLRs, and the D800 uses the company's know-how to ensure that white balance and colour are good straight from the camera in most situations.
One small criticism is that it is strange that such an advanced camera as the D800 should have an HDR (high dynamic range) mode that only operates when shooting JPEG images. Furthermore, the only image that is saved is the merged version. Canon's approach with the EOS 5D Mark III is much more useful to advanced photographers, as the three images that make up the final HDR image are recorded and raw file shooting is possible.

Resolution

As part of our image quality testing for the Nikon D800 we've shot our resolution chart.
If you view our crops of the resolution chart's central section at 100% (or Actual Pixels) you will see that, for example, at ISO 100 the D800 is capable of resolving up to around 36 (line widths per picture height x100) in its highest quality JPEG files. It produces some of the best results we have ever seen from a full-frame SLR.
See a full explanation of what our resolution charts mean, and how to read them please click here.
Examining images of the chart taken at each sensitivity setting reveals the following resolution scores in line widths per picture height x100:
Nikon D800 review: resolution ISO 100

JPEG images

Nikon D800 review: resolution ISO 50
ISO 50, score: 36 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 100
ISO 100, score: 34 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 200
ISO 200, score: 34 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 400
ISO 400, score: 34 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 800
ISO 800, score: 32 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 1600
ISO 1600, score: 30 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 3200
ISO 3200, score: 28 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 6400
ISO 6400, score: 28 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 12800
ISO 12800, score: 24 (Click here to see the full resolution image)
Nikon D800 review: resolution ISO 25600
ISO 25600, score: 22 (Click here to see the full resolution image)

Raw images

Nikon D800 review: Resolution ISO 50
ISO 50, score: 36 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 100
ISO 100, sore: 34 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 200
ISO 200: score: 34 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 400
ISO 400, score: 34 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 800
ISO 800, score: 32 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 1600
ISO 1600, score: 30 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 3200
ISO 3200, score: 30 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 6400
ISO 6400, score: 30 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 12800
ISO 12800, score: 28 (Click here to see the full resolution image)
Nikon D800 review: Resolution ISO 25600
ISO 25600, score: 26 (Click here to see the full resolution image)

Noise and dynamic range

We shoot a specially designed chart in carefully controlled conditions and the resulting images are analysed using DXO Analyzer software to generate the data to produce the graphs below.
A high signal to noise ratio (SNR) indicates a cleaner and better quality image.
For more more details on how to interpret our test data, check out our full explanation of our noise and dynamic range tests.
We have compared the Nikon D800 against the Nikon D700, Nikon D4, Canon EOS 5D Mk III, Canon EOS 5D Mk II and Canon EOS 1Ds Mk III.

JPEG Signal to Noise Ratio

Nikon D800 review: JPEG signal to noise ratio
JPEG images from the Nikon D800 have a signal to noise ratio that compares well against, but cannot quite match, that from the Nikon D4 and Canon EOS 5D Mk III. At lower sensitivities results compare closely to Nikon D700, however from a sensitivity of ISO 800 there is a definite improvement.

Raw signal to noise ratio

Nikon D800 review: TIFF signal to noise ratio
TIFF images (after conversion from raw) show that the D800 handles noise well at lower sensitivities and the results compare well against the Nikon D4. Above ISO 3200 noise becomes more of an issue.

JPEG dynamic range

Nikon D800 review: JPEG dynamic range
This chart shows that the Nikon D800's JPEG files have a high dynamic range only just beaten by the Nikon D4. Compared to the Nikon D700, the results show a big improvement across the sensitivity range. At ISO 3200 the Canon EOS 5D Mk III just over takes the dynamic range of the D800.

Raw dynamic range

Nikon D800 review: TIFF dynamic range
The D800's TIFF files (after conversion from raw) score some of the highest dynamic range results that we've seen from a DSLR, just beating the Nikon D4 and showing a huge improvement over the Nikon D700. At the lower end of the sensitivity scale, the D800 is the clear leader, but by ISO 800 the Canon EOS 5D Mk III takes the lead.

Sample images

Nikon D800 review: rose image
Click here to see the full resolution image
Taken at ISO 200 using an aperture of f/8, this shot has bags of detail, but the exposure had to be reduced by 1EV to get the colour looking right.
Nikon D800 review
Click here to see the full resolution image
The D800's AF system had no trouble keeping up with this cyclist peddling at full-speed.
Nikon D800 review
Click here to see the full resolution image
Nikon's Matrix metering was fooled by the light subject and under-exposed this shot.
Nikon D800 review
Click here to see the full resolution image
A Levels adjustment in Photoshop has brightened the image and retained the atmosphere.
Nikon D800 review
Click here to see the full resolution image
Including so much sky in this image fooled the Matrix metering into under-exposing, but as the image below shows, there plenty of information in the foreground so it can be lightened effectively.
Nikon D800 review
Click here to see the full resolution image
Five minutes work with Photoshop has brightened the foreground while retaining the darkness of the approaching storm in the sky.
Nikon D800 review
Click here to see the full resolution image
Taken at ISO 2500 and in low artificial light, this image has more noticeable noise than some taken at higher sensitivity settings in more natural light.
Nikon D800 review
Click here to see the full resolution image
Taken at ISO 200, f/8 and 1/125, but exposure was compensated by -1EV to retain the tonal gradation in the sky.
Nikon D800 review
Click here to see the full resolution image
There's plenty of detail in the brickwork of these buildings.
Nikon D800 review
Click here to see the full resolution image
The delicate details of the blossom have been captured well in this ISO 200 image.
Nikon D800 review
Click here to see the full resolution image
The dark foreground mean that -1EV exposure compensation was required to get this image just right when Matrxi metering was used. There's plenty of detail in those shadows.
Nikon D800 sample image
Click here to see the full resolution image
The JPEGs straight from the Nikon D800 display an impressive colour range - this image was shot on Auto White Balance.
Nikon D800 sample image
Click here to see the full resolution image
We needed to boost the exposure compensation by +0.7 to capture this scene.
Nikon D800 sample image
Click here to see the full resolution image
Nikon D800 sample image
Click here to see the full resolution image
Lots of detail has been resolved in this image, while colours are also naturally represented.
Nikon D800 sample image
Click here to see the full resolution image
This image displays the very restricted depth of field effects that are possible when using a full-frame camera such as the D800.
Nikon D800 sample image
Click here to see the full resolution image
This image was shot using the Nikkor 24-70mm f/2.8 G lens.
Nikon D800 sample image
Click here to see the full resolution image
Nikon D800 sample image
Click here to see the full resolution image
In this image shot at f/8 you can really see the amount of detail that is able to be captured by the D800.

Sensitivity

Nikon D800 review: ISO 100
Here's the full scene at ISO 100, the sections below shop a crop at 100% or 'Actual Pixels', follow the links to see the full resolution images.

JPEG images

Nikon D800 review: ISO 50
ISO 50 Click here to see the full resolution image
Nikon D800 review: ISO 100
ISO 100 Click here to see the full resolution image
Nikon D800 review: ISO 200
ISO 200 Click here to see the full resolution image
Nikon D800 review: ISO 400
ISO 400 Click here to see the full resolution image
Nikon D800 review: ISO 800
ISO 800 Click here to see the full resolution image
Nikon D800 review: ISO 1600
ISO 1600 Click here to see the full resolution image
Nikon D800 review ISO 3200
ISO 3200 Click here to see the full resolution image
Nikon D800 review ISO 6400
ISO 6400 Click here to see the full resolution image
Nikon D800 review ISO 12,800
ISO 12,800 Click here to see the full resolution image
Nikon D800 review ISO 25,600
ISO 25,600 Click here to see the full resolution image

Raw files

Nikon D800 ISO 50
ISO 50 Click here to see the full resolution image
Nikon D800 ISO 100
ISO 100 Click here to see the full resolution image
Nikon D800 ISO 200
ISO 200 Click here to see the full resolution image
Nikon D800 ISO 400
ISO 400 Click here to see the full resolution image
Nikon D800 ISO 800
ISO 800 Click here to see the full resolution image
Nikon D800 ISO 1600
ISO 1600 Click here to see the full resolution image
Nikon D800 ISO 3200
ISO 3200 Click here to see the full resolution image
Nikon D800 ISO 6400
ISO 6400 Click here to see the full resolution image
Nikon D800 ISO 12,800
ISO 12,800 Click here to see the full resolution image
Nikon D800 ISO 25,600
ISO 25,600 Click here to see the full resolution image

Verdict

It's great to find that the D800 isn't just a triumph of numbers, and that the 35.3Mp sensor actually delivers on its promise – capturing bags of detail. The surprise bonus is that noise is actually pretty well controlled and the dynamic range is very impressive.
For those interested in stepping up to a full-frame camera, the D800 represents a good investment. You get pretty much all of the best features of the D4 in a more compact and lighter body, with a much higher pixel count for just shy of half of the price.

We liked

Many images are suitable for making superb A2 pints straight from the camera or with a minimal amount of adjustment.

We disliked

Sport and action photographers will find that the large file size limits the continuous shooting rate and burst depth in comparison with the Canon 5D Mark III and Nikon D4

Final verdict

Many see the Canon EOS 5D Mark III as the D800's natural competitor. While the average serious enthusiast is likely to think long and hard about switching manufacturer, professional photographers are less loyal and will go with whichever option works best for them.
The D800 will be very attractive to photographers who need a comparatively light camera that is capable of capturing a lot of detail and producing large prints. As it is an especially good choice for those who shoot in normal or daylight conditions or at low sensitivities, we think the D800, or perhaps the D800E, will be a big hit with landscape and studio photographers.
Meanwhile the Canon EOS 5D Mark III is perhaps a bit of an all-rounder that will appeal to enthusiast photographers who want to shoot a range of subjects in lots of different conditions.
Given the level of detail that the D800 can capture and its impressive dynamic range there may be a few studio and landscape photographers who will choose it instead of a bulkier, heavier, slower and more expensive medium format camera.
It's clear that the D800 is an excellent and very capable camera. The metering, white balance and autofocus systems all deliver the goods and the image quality is superb at the lower sensitivity settings. While we'd love to see a couple of niceties such as the rating option and more flexible HDR system found on the Canon 5D Mark III, we find Nikon's AF point selection options clearer in continuous AF mode.
Although the D800 can't quite match some of its competitors for signal to noise ratio at the lower sensitivity settings, it comes close and the much larger images have an impressive dynamic range.
Nikon has managed to produce a camera that delivers exactly what many enthusiast and pro photographers want.





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Opinion: Why an Apple Valve tie-up makes a lot of sense
Opinion: Why an Apple Valve tie-up makes a lot of sense
A few years ago a rumour appeared that Google was in the market to buy gaming giant Valve, ticking enough boxes to be given widespread coverage by the tech media.
Principally it made a lot of sense – Valve, as well as being the company behind wildly brilliant games like Team Fortress, Portal and the doyenne of first person shooters Half Life, also owns the successful Steam delivery system.
However despite a huge amount of excitement about the potential of a Google Valve tie-up it never came to fruition, but when Apple CEO Tim Cook was spotted wandering into Valve HQ, it's no surprise that the rumour mill started grinding all over again.
Although you can't entirely rule out cash-rich Apple snapping up one of the greatest gaming companies around, it would be an extreme and seemingly unlikely move.
Valve's Steam - immensely popular
More likely the two are collaborating on something. The rumour, of course, is that it could be gaming hardware, especially given the escalating talk that Valve is working on its own gaming box.
This is, of course, hugely exciting. Valve, it could be argued, is the Apple of gaming.
How do you reach this conclusion? Well, like Apple, it has built its success on a number of power brands (the inimitable Half Life series, Portal and Team Fortress), it has become vital to third parties through Steam just as Apple has with its App Store and, perhaps most vitally, it is an immensely cool brand with a mass of fanboys.
Valve also adopts a similar attitude to press; although the world knows it is working on the next Half Life you won't see any details about it and the company certainly won't be courting publicity for the product – mainly because the rumour mill does its work for it.
The truth is more likely to be that its something to do with a current Apple brand; it could be a game for iOS, it could be Steam on the much-rumoured iTV, it could be some other form of streamed gaming or it could be that Tim Cook is merely gathering some knowledge from a few guys that used to work for Microsoft before establishing a gaming dynasty.

What if?

But, for a little while at least, it's okay to wonder "what if ?" It's okay to talk about the Apple competitor for the Xbox and PS4 and fine to dream about Half Life 3 launching the system.
Yes the truth is probably much more mundane. But when you have the Apple of gaming, and the Apple of, well, the world, meeting up it's also pretty good to have some fun with the news.
Of course, if we see Google's Larry Page and Microsoft's Steve Ballmer turning up later in the week then we'd be okay with that as well.





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BlackBerry Bold 9900 BB OS 7.1 update rolls out
BlackBerry Bold 9900 BB OS 7.1 update rolls out
O2 has confirmed that it is rolling out the BlackBerry OS 7.1 software upgrade to its customers today.
If you're the proud owner of a BlackBerry Bold 9900, Curve 9360, Torch 9810, Torch 9860 or Curve 9380 and support the blue-bubbled network then it's time to get out your USB cable and plug right in to your PC.
To update your BlackBerry to 7.1 you will need to head over to the O2 UK BlackBerry downloads page and follow the on screen instructions.

Dormant radio becomes active

Don't get too over excited though because, as the "7.1" name suggests, this is a relatively low-key upgrade.
The update does bring various software improvements however, and it also signals the arrival of the Wi-Fi hotspot feature, allowing you to use your BlackBerry as a wireless internet hotspot for up to five devices to connect to.
For all of you who love BBM then 7.1 will deliver a more personalised experience including animated avatars and new colour chat bubbles – exciting stuff.
There's also updates to BlackBerry Traffic and BlackBerry Travel, as well as improvements to the search function.
If you own a Curve 9360 or Curve 9380 the update will unlock the FM radio app which apparently has been hiding in your phone the whole time.





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PS Vita sales slump in Japan, still more popular than the Wii
PS Vita sales slump in Japan, still more popular than the Wii
Sony's next-gen handheld the PS Vita had its worst sales slump in Japan last week, with the amount of units shifted slipping below the 10,000 mark for the first time.
All gaming hardware sales in Japan took a bit of a battering, with Nintendo 3DS sales plummeting by nearly 50 per cent to 72,115 units.
The PS Vita is currently selling at around 60 per cent of its predecessor, the PSP, which managed 14,804 sales in the same week.
Some experts are pointing to a software lull for the PS Vita, with the hope that when new triple-A titles are released the console's numbers will pick up.
And, to its credit, it did beat the Wii – 7,095 units – and the Xbox 360, which took home a paltry 3,764 (although this was triple the sales it did the week before).
TechRadar Verdict
PS VitaPS Vita review

Upping the game

It's a tough time for the dedicated handheld gaming market, with massive competition coming from tablets and smartphones - and the recent reduction in console prices won't have helped matters, either.
Sony's latest announcement that it is to restructure its whole business shows that the company is at least making the major changes it needs to get its business back to fighting fitness, but these latest PS Vita figures will come as something of a blow.
There's a number of big games coming to the handheld soon, including Mortal Kombat and LittleBigPlanet.
And here's hoping Sony's E3 announcements in June will bolster consumer confidence for a device TechRadar gave a more-than decent four stars.





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BlackBerry Curve 9320 accidentally leaked by T-Mobile UK
BlackBerry Curve 9320 accidentally leaked by T-Mobile UK
The next attempt from RIM to keep afloat has surfaced in the shape of the low-end BlackBerry Curve 9320.
Sporting a keyboard comprised of lozenge-shaped buttons, the new phone looks set to drop in below the Curve 9360 price range, meaning we likely won't see a touchscreen on board either.
You should check out
Curve 9360
BlackBerry Curve 9360 review
T-Mobile made the slip by posting the unannounced Curve 9320 on its 'Coming Soon' page, but has since removed the listing.

Beating back with BBM

The target audience for the Curve 9320 is pretty clear, given there's reportedly a BBM key plonked on the side of the phone for all to see.
Add in the fact it will be rocking BlackBerry 7.1 (which 'uncovers' the radio application that's apparently been lying dormant in many BlackBerry devices for years) and you can see that the youth is a key demographic for this super-low-end phone.
RIM has promised multiple new handsets in the future focusing on the low contract price market and the business user – and this fits nicely into that mix, although we're surprised to see it landing on a network that's already carrying the sleek but cheap Curve 9360.





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Google Drive launch details leak, coming next week
Google Drive launch details leak, coming next week
At last, an end to the Google Drive saga is in sight with a leaked press release suggesting that the cloud storage service will launch next week.
The Next Web got its mitts on what it reckons is Google's draft press release, which goes on to say that users will get 5GB of storage for free, batting away DropBox's current 2GB offer with ease.
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Previous rumours had suggested that the free storage would be much lower (1GB) which caused much scoffing and ire across the web.
When you've filled that 5GB with all your digital clutter you'll be able to buy more storage from Google, although the leaked release doesn't outline price plans.

Where who what when how?

The other thing that's missing is word on what territories the service will launch in – will it be US only to begin with or will the storage service see a global roll out?
What is noted is that the service will work "in desktop folders" on Mac and Windows, with a Mac app surfacing on TechCrunch and Android and OS apps also said to be coming next week.
After literally years of rumours, are we really and truly about to see Google Drive launch? It's looking quite likely really.
Rumour meter





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